Up, Up, and Away! 1,500 books prepare to travel to Anglican Seminaries in Africa

The Wonderland BookSavers are continuing with their mission to spread the joy of reading through the distribution of used texts to new readers.  In this capacity, we were called upon to find a home for approximately 1,500 books from the personal library of the (deceased) prominent Episcopal minister, Rev. H. Boone Porter.

Porter basementWe began our project in the catacomb-like basement of the parish rectory.  With flashlights and extension cords for our computers, we created an initial bibliography of the books we discovered.

Porter Sept

Porter Greek Porter Hebrew

Each box was like a surprise Christmas gift.  We discovered Bibles from the 1800’s, ancient prayer books in miniature (designed for portability) and texts in Latin, Greek and Hebrew.

Porter St.Paul'sAfter our initial assessment of the books we began looking for a recipient.  After much research we contacted the Theological Book Network in Grand Rapids, Michigan.  We were thrilled to finally locate an organization that could organize and distribute our large volume of theological texts.

The following is a letter the Theological Book Network received from South Sudan from a previous (not ours) book donation.  We are so grateful that the human spirit will continue to rise even after decades of desperation.

RECONCILE-Peace-InstituteThe RECONCILE Peace Institute is so thankful for your (Theological Book Network) partnership!

Your affirming e-mails, phone conversations, and library resources are an absolute blessing! The Theological Book Network’s generous commitment to provide 1,500 books will help improve the vital ministries of trauma recovery and conflict transformation which we offer in South Sudan. Thank you. Without question, life in a nation scarred by decades of
civil war, lack of development, extensive trauma, and profound community wounds is quite difficult, but the Lord has called our organization to this service. God is using people of faith from around the globe and in the Church in South Sudan to accompany the world’s newest nation in her journey towards hope, healing and reconciliation. Thank you for
investing your resoures into God’s vision for South Sudan.

As I write this letter, the South Sudanese pastors, teachers, bishops, NGO peace workers, and community leaders pictured above are traveling into places of unrest and conflict to make a difference. They all studied and trained at the RECONCILE Peace Institute. Your partnership reminds them, Christians of all nations support their efforts to rebuild their
communities. Thank you. I am sincerely honored to call you partners and friends.

Yours in Christ,

Rev. Shelvis Smith-Mather, M.Div., Th.M
Principal of the RECONCILE Peace Institute
RECONCILE International (Yei, South Sudan)

Theological Network builds “libraries” from donated books and ships them around the world.  Rev. Bonne Porter’s books will be traveling to Anglican Seminaries throughout Africa.

This is particularly appropriate as Rev. Boone Porter is best know for his efforts to find common ground in the various denominations representing the Christian faith.  His scholarly work led him to rewrite the 1979 edition of the Book of Common Prayer.

As noted in the New York Times on July 1, 1999:

“The vision of Reverend Dr. Cannon H. Boone Porter’s 44 years of ordained ministry aimed to revitalize the Episcopalian Church through education, liturgical reform and inclusion of its marginalized members.  His work of raising up new membership, enriching Christian worship and creating a central place for women, Afro-and Native Americans and rural communities in the Church was often opposed but succeeded in redefining the Episcopal Church’s relationships within itself and with the world.”

Porter taping boxesWe found that Boone’s personal library contains approximately 1,500 Christian texts, ranging from prayer books, books on Christian doctrine, books on the importance of architecture and discussions of faith-based questions such as personal responsibility and the ethics and ethos of free will.

Porter pen and inkAs we handle these books we imagine the human beings who have come before us, hundreds of years of readers who have gained insight and inspiration from these very same pages.

“If God’s love is for anybody anywhere, it’s for everybody everywhere.” — Edward Lawlor, Nazarene General Superintendent

Porter lifting boxes

Let Me Count the Days:  Homeschooling is connecting our lives with the lives of others, in a meaningful, tangible manner.

Inspired by Angie: Solving a Homeschooler’s Dilemma

Recently, Angie, a Homeschool HappyMess reader, sent me a series of questions that I thought might make an interesting post, and so with Angie’s permission, she and I will together tackle the intricacies of designing a homeschool curriculum..

A climbing Angie:  Allia, I have been following your blog and am inspired beyond measure.

A leap of faith

Believe me, I am grateful for your confidence in our humble homeschool.  Homeschooling is a leap of faith.  You have to believe in yourself and believe in your children.  It is my hope, through this blog, that people can see themselves bringing inspiration and creativity to their own children’s education.

A Bounce hand paint

Mine is one step in an effort to right the wrong of boring, stultifying education whose tenants of secular equality for all has whitewashed history and distilled learning to nothing more than a series of meaningless platitudes, creating a generation of children with no interest in reading and little ability to write, let alone create.  Break out the paint, glue and glitter, read original documents, apply literature to history, perform a science experiment…together we can explore the planet.

Angie:  I have a few questions:  Do you use the literature to guide the history lessons or do you teach history in a chronological order (like other classical homeschoolers) and choose literature that corresponds with that time in history?

I am a strong believer in the benefits of teaching history in chronological order, after all, that is the order in which it all happened.  Like domino’s, each event was the catalyst for the next, each shift in beliefs, a result of the immediate past.  That being said, I have found that if followed too literally, it is difficult to ever get out of the Middle Ages, let alone Ancient Mesopotamia.  So, although I enjoy reading A Childs History of the World, by Virgil M. Hillyer, and my children love The Story of the World (especially on tape), by Susan Wise Bauer, sometimes (often) I will jump around.

 

Metropolitan Museum of Art, NYC.  Hall of Armour

Metropolitan Museum of Art, NYC. Hall of Armor

HappyMess boys wearing "real" armor!

HappyMess boys wearing “real” armor!

I am an even bigger believer in grabbing opportunities as they present themselves, and building a quick mini-lesson around an exhibit, or a play or an article in the newspaper.  History, and science are so much more interesting when a child can see the immediate application of the knowledge.

Joan of Arc, MET

Joan of Arc, MET

 

HappyMess kids studying Joan of Arc at MET

HappyMess kids studying Joan of Arc at MET

History at the MET

History at the MET

Museums are a great place to learn about the past.  Here we find that ancient peoples had similar aspirations as ourselves.

History books that we have enjoyed include:  The American Story, by Jennifer Armstrong and A Young Peoples History of the United States, by Howard Zinn. There are countless wonderful books about ancient Egypt and Greece and about every corner of the world.  I like to choose books with engaging pictures as I usually begin every History lesson with shared reading.  Initially, it is the parent, or teacher, who breathes life into the history lesson.  A good history lesson is like a piece of theater, filled with anticipation, suspense, surprise and resolution.

We have found that many literature books dovetail nicely with our studies.  When reading historical literature we concentrate on understanding the feelings of the characters, asking ourselves, Why did they make these choices? Respond in this manner?  How is this different, or the same from our experiences, desires, actions?  Frequently we will read a book that is so compelling, we will read the literature first and then research the time period afterwards.

Celadon pottery at the MET

Celadon pottery at the MET

This was the case with A Single Shard, by Linda Sue Park.  We read the book, chose a quote as our school motto, and visited the Metropolitan Museum of Art in NYC to view original pieces of celadon pottery.

A wonderland boook picturesOh..and built an entire book club, around that experience, and created an Outreach Program, Wonderland BookSavers, that has so far, since September, donated 4,000 books to needy children both in the US and abroad…

A doc filmand created a 7 minute documentary film and a Destination Imagination theatrical presentation…see the importance of just one piece of quality literature…?

So, what was the answer?  Usually I am running at least two concurrent history programs.  One is plowing forward through time, looking at facts, geo-political factors, resulting changes, etc., the other is inspired by current events, great literature, museum exhibits or lectures on a topic.

Additionally, Homeschool HappyMess kids participate in National History Day each year. This leads to very in depth research into a specific topic.  This year we are focusing on the TET offensive and the media misinformation that surrounded that event, causing the American people to further turn against the Vietnam War.

A TET 1A TET 2 fall_of_saigonA 1968-Tet-Offensive-3Our older children have created a theatrical piece in which the “war fought in the living rooms of America,” literally comes home through investigative journalism.  They recently won First Place for their local presentation, and are off to the State competition next month.  Working on projects and competitions allows the student to “own” a piece of history.

We are also engaged in learning the fine art of the “research paper,” through a project on the Economy of Ancient Ephesus, as an offshoot of the study of Latin and a subset of the history of the Roman Empire.

History is the wonderful and terrible story that envelopes us all.  There are 1,000 ways to study, memorize, examine, and theorize about history.  Choose any path, as they say, “All roads lead to Rome.”

Angie:  How do you relate the sciences?

Well, we again take several different approaches to the study of science, for younger children I am content with doing fun experiments and visiting hands-on science museums and randomly choosing interesting science books or biographies from the library.  My goal is simple:  awaken curiosity and provide answers about our physical world.  Science and history can often be studied in tandem, as is the case with Leonardo Da Vinci, Galileo and Copernicus.  Science, like history, is not a series of facts but a series of people.

A Truth at farm

leaf classification

leaf classification

Our 3rd grader is also following the BJU curriculum.  This provides many interesting facts and experiments in a more organized fashion.  Again, we read books, biographies and enjoy the world.  As our students get older we follow specific studies so they can learn the basics of chemistry, biology and physics.

Angie:  How do you go about choosing your reading list for the year?

A Bounce libraryI love classic literature. Generally those books, which have been known and loved for decades, are well written, use correct English grammar, have interesting vocabulary choices, reflect clear values and tell a compassionate story that resonates with young readers.   In other words, they are worth struggling with and will make your student a better reader and a more thoughtful person.  My annual reading list is comprised of those pieces of quality children’s literature which are at the appropriate reading level.  I mainly choose books the child can read himself, but also include a few that can be read aloud and discussed.  For our book club we have focused on books that reflect a message of personal growth and responsibility.  These books have included A Single Shard by Park, from which we took as our motto, “One hill, one valley, one day at a time…,” Old Yeller, by Gipson, Alice in Wonderland and Through the Looking Glass, by Carroll, Classic Poetry, Ancient Greek and Roman Myths and now, Pilgrim’s Progress, by John Bunyan.  With each book, our book club performed a community service project…but that is a long story for another day…

Angie:  Also, a fun one:  is your schoolhouse an outbuilding or connected to the main house? 

 

HappyMess schoolhouse visitors

HappyMess schoolhouse visitors

In this case, since homeschooling has taken over our lives and thus, every corner of our living space I think it might be more accurate to say that our home is a modified outbuilding connecting to our schoolhouse.

Angie, I hope this helps.  Thanks for your faithful reading!  Allia

Let Me Count the Days:  Homeschooling is sharing the experience of growth with an unseen, but forever perspicacious community.

Public Speaking: Shakespeare Untangled, Only Slightly Mangled

Our local Homeschool Theater Company will be producing A Midsummer Night’s Dream, by William Shakespeare.  Auditions are being held and the Happymess Kids, and others, are busy practicing, rehearsing and memorizing.

This unabridged, original language version will be performed with a cast of 24 students, ages ranging from 8-18.  No mean feat.

I know a bank where the wild thyme blows,

Where oxlips and the nodding violet grow

We like to practice public speaking outdoors where loud, confident voices can shout to the treetops.

Quite over-canopied with luscious woodbine,

With sweet musk-roses, and with eglantine:

 

Our homespun Happymess public speaking program consists of repeated practice in reading complicated, often strident, historic addresses and rehearsing literary monologues and soliloquies.

On of our favorites, for this exercise, is Socrates’ speech to the Athenians upon being condemned to death for speaking the truth:

In the next place, I desire to predict to you who have condemned me, what will be your fate: for I am now in that condition in which men most frequently prophesy, namely, when they are about to die. I say then to you, O Athenians, who have condemned me to death, that immediately after my death a punishment will overtake you, far more severe, by Jupiter, than that which you have inflicted on me. For you have done this thinking you should be freed from the necessity of giving an account of your life. The very contrary however, as I affirm, will happen to you. Your accusers will be more numerous, whom I have now restrained, tho you did not perceive it; and they will be more severe, inasmuch as they are younger and you will be more indignant. For, if you think that by putting men to death you will restrain any one from upbraiding you because you do not live well, you are much mistaken; for this method of escape is neither possible nor honorable, but that other is most honorable and most easy, not to put a check upon others, but for a man to take heed to himself, how he may be most perfect. Having predicted thus much to those of you who have condemned me, I take my leave of you.

This speech, once the words can be pronounced, can only be said loudly and forcefully.  Socrates is unapologetic and accusatory.  Our young public speakers learn to belt out his defense at top decibel. No room for stage fright here.

In fact, when Athena was interviewed after working as a reporter on closed circuit TV for Destination Imagination they asked her, “How did you get so good at public speaking?” to which she answered, “My mother had me stand on a rock in the backyard and shout Socrates’ death speech repeatedly across the yard.”  I wonder what the neighbors were thinking?

Another great public address we have used is that of Frederick Douglass, “The Meaning of July 4th for the Negro”, 1852.

Fellow-citizens, above your national, tumultuous joy, I hear the mournful wail of millions! Whose chains, heavy and grievous yesterday, are, to-day, rendered more intolerable by the jubilee shouts that reach them. If I do forget, if I do not faithfully remember those bleeding children of sorrow this day, “may my right hand forget her cunning, and may my tongue cleave to the roof of my mouth!” To forget them, to pass lightly over their wrongs, and to chime in with the popular theme, would be treason most scandalous and shocking, and would make me a reproach before God and the world. My subject, then, fellow-citizens, is American slavery. I shall see this day and its popular characteristics from the slave’s point of view. Standing there identified with the American bondman, making his wrongs mine, I do not hesitate to declare, with all my soul, that the character and conduct of this nation never looked blacker to me than on this 4th of July! Whether we turn to the declarations of the past, or to the professions of the present, the conduct of the nation seems equally hideous and revolting. America is false to the past, false to the present, and solemnly binds herself to be false to the future. Standing with God and the crushed and bleeding slave on this occasion, I will, in the name of humanity which is outraged, in the name of liberty which is fettered, in the name of the constitution and the Bible which are disregarded and trampled upon, dare to call in question and to denounce, with all the emphasis I can command, everything that serves to perpetuate slavery-the great sin and shame of America! “I will not equivocate; I will not excuse”; I will use the severest language I can command; and yet not one word shall escape me that any man, whose judgment is not blinded by prejudice, or who is not at heart a slaveholder, shall not confess to be right and just. 

This can only be said unapologetically with force and conviction.

We like to place the “speaker” about 60 feet from the “audience”. This encourages audible, self-assured voices that be clearly heard at a reasonable distance. We emphasize speaking S-L-O-W-L-Y and         C-L-E-A-R-L-Y. In this case, Bounce is practicing the part of Oberon for his Midsummer Night’s Dream audition.

There sleeps Titania some time of the night,

Lulled in these flowers with dances and delight;

 

Happymess kids are dancing around Truth as he attempts to memorize his speech and rise above the distractions created by several bouncing brothers.  They are deliberately trying to confuse Truth as he valiantly recites his piece despite their best efforts at confusion.  Ultimately, this builds confidence, as Truth knows nothing can come between him and his chosen piece of recitation.  Plus, everyone has a lot of fun in the process.

And there the snake throws her enameled skin,

Weed wide enough to wrap a fairy in. (2.1.249)

We will be studying Midsummer Night’s Dream on several levels, increasing the difficulty as the children become more familiar with the unusual language.

So, how do we get the kids to learn all this stuff?  We start slowly.  Bruce Coville has written a wonderful series of Shakespearean children’s books.  Each book is based upon a different play and closely follows the plot line while interspersing original text in the adapted and simplified version.  The illustrations, by Dennis Nolan, are truly fanciful and capture the magic of the original plays.  These books make Shakespeare accessible to any reader.

We will eventually read and study the original play using the Oxford Student Shakespeare edition.  This series is annotated throughout with stage notes, explanations of character attitudes, vocabulary definitions and explanations of references to other texts (Biblical, historical, etc.)

Many of the children, at the auditions, are quite young but have already performed several times with this theater company.  They were readily able to cope with the difficult language.  Their prior experience was apparent and impressive.  The directors have really had a positive impact on this homegrown troupe.

Rehearsal of this play, which will take months, will certainly build public speaking skills, emotional emphasis, and clarity of speech.   As are great historical speeches, Shakespearean language is at first incomprehensible.  It is a great surprise and joy to the students as they begin to untangle complex language and interweaving plot lines and discover that they can finally understand, enjoy and begin to “own” these words for themselves.

 All the world’s a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages.        As You Like It, William Shakespeare   

Let Me Count the Days:  Homeschooling is practicing public speaking skills through reciting Shakespeare in the backyard with the sun shining, the dog barking and the boys joyfully bouncing about. 

History: The Timeless Gift

A quick History lesson from Pulitzer Prize winner, David McCullough,

Nobody lived in the past, if you stop to think about it.  Jefferson, Adams, Washington- they didn’t walk around saying, “Isn’t this fascinating, living in the past?”  They lived in the present just as we do.  The difference was it was their present, not ours.  And just as we don’t know how things are going to turn out for us, they didn’t either.

 In a 2005 speech, David McCullough makes the point that “history” happens to the everyday man and woman.  What makes the story interesting, and thus memorable, is the way the people respond to the events of their time.  As the Greek philosopher Heraclitus said, “Character is Destiny,” and McCullough makes the case that our Founding Fathers’ biggest attribute was their character.

McCullough encourages the teaching of history to ensure that we, the current occupants of this world, value the gifts we have been given by our predecessors.

He says, “We have to know who we were if we’re to know who we are and where we’re headed.  This is essential.  We have to value what our forebears did for us, or we are not going to take it very seriously, and it can slip away.”

McCullough offers this analogy, “If you’ve inherited some great work of art that is worth a fortune, and you don’t even know that it is a great work of art and you’re not interested in it – you are going to lose it.”

Thus our precious Democracy will go by the wayside if we fail to teach our young students the value of freedom and personal liberty.  It becomes our responsibility as teachers, parents, and educators to instill a love of our Nation and an appreciation for the sacrifices that have afforded our freedoms.

One of our favorite books for the young historian. 

Our Happymess kids love history.  We strive to make every century seem relevant and interesting.  We use countless sources from illustrated children’s books, colorful atlases, ancient maps, primary sources, personal diaries, illustrated encyclopedias and dense historical dissertations.  We love documentary films, old newsreels and historical novels.  History is the story, our story.  And thus we were very gratified to find a perfect endorsement of homeschool-style teaching in the middle of McCullough’s presentation.

The original flag that inspired The Star Spangled Banner national anthem. We visited this last year in Washington, DC.

And we need not leave the whole job of history teaching to the teachers.  The teaching of history, the emphasis on the importance of history, the enjoyment of history, should begin at home.  We who are parents or grandparents should be taking our children to historic sites.  We should be talking about those books in biography or history that we have particularly enjoyed, or that character or those characters in history that have meant something to us.  We should be talking about what it was like when we were growing up in the olden days.  Children, particularly little children, love this.  And in my view, the real focus should be at the grade school level…they can learn anything so fast it takes your breath away.  The very important truth is that they want to learn and they can be taught anything.  And there’s no secret to teaching history or making history interesting.  Tell stories.  That’s what history is: a story.  And what’s a story?  E.M. Foster gave a wonderful definition of it:  If I say to you, the king died and then the queen died, that’s a sequence of events.  If I say, the king died and the queen died of grief, that’s a story.  That’s human.  That calls for empathy.  And we ought to be growing, encouraging and developing historians who have heart and empathy.

I wonder if McCullough knew he was actually accurately describing the homeschool movement and our emphasis on multi-disciplinary, multi-generational and multi-cultural education, all with the purpose of “making it feel real” and thus instilling empathy for all.

We are grateful for today’s history lesson, which was a portion of Lesson One from Exploring America, a homeschool curriculum designed by John Notgrass. We have used this program before and really love it.  Notgrass has written text, quizzes, short-answer questions and essay questions, which cover the myriad facts that together comprise our national history.  The companion volume, American Voices, is an amalgamated 400 pages of primary sources. Through these speeches, letters, poems and essays the student of American History can live and breathe the very words of the Americans who built our nation.

Let Me Count the Days:  Homeschooling is bringing the past to life though original documents and mementoes. 

Kimono of 1000 Cranes

Japanese tradition says that folding 1000 cranes will grant you a special wish.  Happymess kids are wishing for greater understanding amongst differing cultures, with the belief that understanding can conquer fear (of the unknown).

Happymess kids have made a goal of folding 1000 cranes.  There are currently about 2/3 of the way and still folding.  They are using their cranes in many creative ways.

In this picture they have created a paper kimono consisting entirely of cranes.  Gold cranes make a belt design.  Not pictured:  a pair of dangling crane earrings.

While folding cranes they are studying Haiku, the Japanese form of poetry that involves writing a very short poem.  These poems are typically 3 lines, with a 5-7-5 syllable pattern.  The word haiku comes from the word “cut” and thus these poems cut to the essence of the subject matter.

Basho Matsuo (1644 ~ 1694) is known as the first great poet in the history of haikai (and haiku)

Spring departs.
Birds cry
Fishes’ eyes are filled with tears

Bush clover in blossom waves

Without spilling

A drop of dew

These poems are often about nature and reveal man’s connection with nature through imagery, juxtaposition and a surprise conclusion.  Our team tried writing several haikus and then visited a Japanese teacher who helped them translate their English haikus into the Japanese language.

I have reprinted here an informative instructional piece to inspire your students as they attempt this deceptively simple style of poetry.  The original can be found at this link   http://www.wikihow.com/Write-a-Haiku-Poem

What you feel should be in a haiku. When you see or notice something that makes you want to say to others -“Hey, look at that!”-include that in a haiku. Many people go for walks just to find new inspiration for their poetry.

  1. 3

Many haiku seem to focus on nature, but what they are really focusing on is a seasonal reference (not all of which are necessarily about nature). Japanese poets use a “saijiki” or season word almanac to check the seasonal association for key words that they might use in a haiku (thus the haiku is a seasonal poem, and often about nature. But it does not have to be about nature if the seasonal reference is about a human activity). The season is important for coming up with words to use in a haiku, because the poem has so few words, simple phrases such as “cherry blossoms” or “falling leaves” can create lush scenes, yet still reflect the feeling of the verse. Moreover, season words also invoke other poems that use the same season word, making the poem part of a rich historical tapestry through allusive variation. In Japanese, the “kigo” or season word was generally understood; “autumn breeze” might be known to express loneliness and the coming of the dark winter season.

  • Winter usually makes us think of burden, cold, sadness, hunger, tranquility, death or peace. Ideas about winter can be invited with words like “snow,” “ice,” “dead tree,” “leafless,” etc.
  • Summer brings about feelings of warmth, vibrancy, love, anger, vigor, lightness, action. General summer phrases include references to the sky, beaches, heat, and romance.
  • Autumn brings to mind a very wide range of ideas: decay, belief in the supernatural, jealousy, saying goodbye, loss, regret, and mystery to name a few. Falling leaves, shadows, and autumn colors are common implementations.
  • Spring, like summer, can make one think of beauty, but it is usually more a sense of infatuation. Also common are themes like innocence, youth, passion, and fickleness. Blossoms, new plants, or warm rains can imply spring. For more information on seasons, go to the link listed below.Seasonal references can also include human activities, and Japanese saijikis contain many such listings. Be aware that some references to human activities, such as Christmas, are effective season words, but require a geographical limitation; while Christmas is a winter season word in the northern hemisphere, it’s a summer reference in the southern hemisphere.
  1. 4

Add a contrast or comparison. Reading most haiku, you’ll notice they either present one idea for the first two lines and then switch quickly to something else or do the same with the first line and last two. A Japanese haiku achieves this shift with what is called a “kireji” or cutting word, which cuts the poem into two parts. In English, it is essential for nearly every haiku to have this two-part juxtapositional structure. The idea is to create a leap between the two parts, and to create an intuitive realization from what has been called an “internal comparison.” two parts sometimes create a contrast, sometime a comparison. Creating this two-part structure effectively can be the hardest part of writing a haiku, because it can be very difficult to avoid too obvious a connection between the two parts, yet also avoid too great a distance between them that , although this is not necessary provided that the grammar clearly indicates that a shift has occurred.

  1. 5

Use primarily objective sensory description. Haiku are based on the five senses. They are about things you can experience, not your interpretation or analysis of those things. To do this effectively, it is good to rely on sensory description, and to use mostly objective rather than subjective words.

  1. 6

Like any other art, haiku takes practice. Basho said that each haiku should be a thousand times on the tongue. It is important to distinguish between pseudo-haiku that says whatever the author thinks in a 5-7-5 syllable pattern and literary haiku that adheres to the use of season words, a two-part juxtapositional structure, and primarily objective sensory imagery.

We have found that studying and writing haiku style poetry is a great linguistic exercise.  The poems are short and the attributes quite specific, thus making the haiku less intimidating for the young student.

Worksheet for Creating Your Own Haiku

http://www.abcteach.com/free/h/howto_haiku.pdf

Girl folds for world peace

Kimono of 1000 cranes

Dressed for tolerance

Let Me Count the Days:  Homeschooling is a haiku of global learning.

State of The Art: A Homeschool Studio

I often think that the night is more alive and more richly colored than the day.

Vincent Van Gogh

The best part of art is getting a chance to make it yourself.  With this in mind, Happymess kids have invited their friends over for an all-day art festival.  They plan to take their studies in to their own hands, literally, and create the paintings they have been studying.

Happymess kids have been studying Impressionism, modern 20th century art and various forms of sculpture.  They are particularly interested in Pointillism.   This school year, Happymess kids have had great fun visiting several museums in NYC and Washington, DC.

The artists they most want to learn from are Seurat, Van Gogh and Monet.  They have chosen three specific works to study.

Seurat: La Grande Jatte

Van Gogh: Starry Starry Night

Monet: Water Lillies

It is now time to try their hand at the artistic process.

They want to create a composite painting that will encompass several different Impressionist techniques and will reflect the work of Monet, Van Gogh and Seurat.

 We have almost a dozen children filling our small art studio.  They are involved in several projects simultaneously:  painting, gluing, folding, drawing and drilling.  The biggest obstacle is trying not to step on wet paint and buckets of glue.

The younger group is creating a sculpture from found objects.  This is a major project, with this being only the first step but they are hard at work building, gluing and constructing separate pieces to be added later.

Meanwhile, Van Gogh is beginning to make an appearance in this Impressionist collage…

Quantum is learning origami.  He is hoping, with his friends, to fold 1000 cranes so they can make a wish for good luck.

It is time to begin adding Monet to the masterpiece…

Finally, the composite Impressionist painting is completed.  The final painting is 8’ by 8’ and has been painted, in one day, by a total 5 student painters.

The best way to know God is to love many things.  Vincent Van Gogh

Let Me Count the Days:  Homeschooling is spending the entire day in the art room, studying and painting in the tradition of the grand salons.

Catherine the Great: A Winter Book Review

Robert K. Massie’s recent bestseller, Catherine the Great, is a wonderfully engrossing tale of 18th century Russian History as experienced by one of the world’s dominant female rulers, Empress Catherine the Great.

We have been reading this book as we travel throughout New England from one frozen mountain to the next. This is certainly a winter book and as we stomp our feet in the frozen snow or curl up by a winter fire we empathize with the location of the characters of this grand book:  the frozen tundra of a winter Russia.  The backdrop for many adventures is the horse drawn sledge, pulled miles across frozen lakes and ice-covered roads.  Occupants bump about, averaging 12miles a day, as they lie huddled beneath bear furs. The winter winds rush across Russia with the same ferocity that we hear as the barren ice-covered branches of New England’s trees clack against one another and against our winter windows.

Young Catherine

In a word:  we are there.  Massie has created a portrait of Catherine the Great that provides us with a window into the very soul of Russian history.  He begins the tale when young Catherine is only 14 years old and becomes betrothed to the hapless, then adolescent, Peter III.  As a young wife, suffering under Russian Empress Elizabeth, Catherine is sequestered and prevented from loving contact with her friends and family.

Isolated, the young girl turns to books, and these become her true friends and allies. For a period of almost 12 years Catherine is prohibited from social interaction, and yet through her intellectual curiosity she is able to grow and develop and ultimately become one of the most knowledgeable and sophisticated leaders of her era.

A look at Catherine’s reading list should give us all inspiration.  Catherine read incessantly and describes herself as, “always having a book in my pocket…” Some books of particular note are the 10 volume edition of General History of Germany, and the Annals by Tacitus, a history of the Roman Empire through the reigns of Tiberius, Caligula, Claudius and Nero.  Tacitus emphasized the destruction of personal liberties by the cruelties imposed through aggressive rule. Catherine also read Montesquieu and was moved by his Enlightenment thinking.  This exposed Catherine to the ideas of a society ruled by rational thought, rather than pure power.  In addition, Voltaire was a favorite with his irreverent and witty modernistic philosophy.  As Catherine grew in intellectual and emotional maturity she was able to view some of the behaviors of the Russian court in the context of previous despotism and began to form her own more enlightened attitudes towards autocratic rule.

Massie intersperses Catherine’s own diaries throughout the book and in this way we come to know Catherine through her own voice as well as her actions.  Constant shifts in power impact Catherine and her life is filled with political upheavals, romance and desire for power.  Ultimately, through a series of astute machinations she becomes Empress Catherine and she now has the opportunity to put some of her enlightened thinking into action.  Regrettable she finds, as have so many leaders, that granting liberty and equality to the human masses is not as easy or as personally painless in practice as it is in theory.

Empress Catherine

As Empress Catherine’s power grows so does her political savvy. She begins to realize that she cannot free the Russian serfs, as she had once dreamed and that her future lies in continued actions of aggression against her neighbors.  Her motives are personal and political, tactical and geographic.  Russia needs to secure trade routes through the Baltic ocean, and therefore covets waterways and harbors belonging to other nations.  Catherine finds that her continued aggression in the region wins her foreign accolades as she is triumphant in battle after battle.

As reader we are placed in the uncomfortable position of watching an unchecked leader exercise total power over her hapless subjects despite her initial best attempts at Enlightenment Thinking.  At all costs, Catherine sees that she must protect herself and the ruling class.

Liberté, égalité, fraternité

This fascinating story of the late 1700’s is a tale which effects us all.  The revolutionary thinking of the times, beginning with our own American Revolution, the resulting French Revolution and ultimately the demise of the British throne had seeds which were sown in the great mistreatment and inequality of the vast majority of the proletariat.  Enlightenment thinking and satiric philosophers also paved the way for new thinking: Words do have the power to effect great change.

Catherine the Great covers each of these uprisings and we can understand them both from the perspective of the people as well as from the monarchies the people sought to overthrow.

Russia in 1725

One of the great joys of this book is to follow the action on a map and to see how the countries borders were constantly being redrawn.  It is fascinating to understand the diplomatic reasoning behind tactical acquisitions and to see how the ordinary person was constantly expected to realign themselves with a new governing body.

It is also interesting to see the way religious lines are drawn, almost by the map, as battle-lines are drawn between Lutheran, Catholic and Orthodox believers.  The late 1700’s were a time of deep faith among Christians, and yet that deep faith did not yield greater understanding, tolerance or Christian love for one another.

We really recommend this book to anyone who loves a great tale, enjoys romance and intrigue, is intellectually curious about the philosophers of the 18th century and loves history and geography.  Suggestion:  Read this book on a cold winter’s day by a warm fire while the snow is falling thickly and the logs are burning crisply.

Follow-up reading:  A Tale of Two Cities by Charles Dickens.  This intertwined tale of love, politics and social inequality, gives a unique insiders view to the guillotine and the French Revolution.

Let Me Count the Days:  Homeschooling is admitting that 300 years ago people were better educated than they are today.